Sunday, August 18, 2019
Langston Hughes The Weary Blues Essay examples -- Music Blues Jazz Mu
Langston Hughes' The Weary Blues      Jazz music is often associated with long, lazy melodies and ornate rhythmical patterns. The Blues, a type of jazz, also follows this similar style. Langston Hughes' poem, "The Weary Blues," is no exception. The sound qualities that make up Hughes' work are intricate, yet quite apparent. Hughes' use of consonance, assonance, onomatopoeia, and rhyme in "The Weary Blues" gives the poem a deep feeling of sorrow while, at the same time, allows the reader to feel as if he or she is actually listening to the blues sung by the poem's character.      The Blues musical move was prominent during the 1920s and '30s, a time known as the Harlem Renaissance. Blues music characteristically told the story of someone's anguish, the key factors, and the resolution of the situation. This is precisely what Hughes' poem, "The Weary Blues," describes. Hughes uses the rhythmic structure of blues music and the improvisational rhythms of jazz in his innovative development of "The Weary Blues." The poem opens by first setting the scene. "Down on Lenox Avenue" the speaker heard a "mellow croon" (lines 2 and 4). The tune was played on a piano and sung by a man with the emotions coming from the "black man's soul" (15). The piano man expresses his feelings of loneliness and dissatisfaction with his life in lines 19-22 and 25-30: "Ain't got nobody in all this world,           Ain't got nobody but ma self.           I's gwine to quite ma frownin'           And put my troubles on the shelf."           "I got the Weary Blues           And I can't be satisfied.           Got the Weary Blues           And can't be satisfied-           I ain't happy no mo'           And I wish that I had died." The piano man, in a slightly backward order, tells how he wished that he had died because he feels so alone. But, instead of an ultimate end, the piano man decides to "put his troubles on the shelf," or rather, push them aside and continue living without the distraction of those pains.      The tone of "The Weary Blues" is quite dark and melancholy. This matches the sorrowful theme of the poem. Sound patterns play a key role in this poem. They enhance the already somber mood by way of consonance, assonance, onomatopoeia, and rhyme patterns. Consonance is found within the first line of the poem. "Droning a drowsy?" brings a hard 'd' sound to... ...       O Blues! The end of each of the above lines has the long 'u' or 'oo' sound but doesn't exactly rhyme with the preceding line or lines. This off-rhyme gives this blues poem more dimension. With precise rhyme, the poem would seem too forced but with this off-rhyme, the true flow of the blues is apparent and works very well. Additionally, the near rhyme of the long 'u' or 'oo' sound reinforces, once again, the sorrowful and melancholy theme of the poem.      With the consistent use of consonance, assonance, onomatopoeia, and rhyme patterns of "The Weary Blues," Langston Hughes produces a poem with a great deal of emotion. The feelings of sadness and loneliness resonate throughout the poem. The long, lazy melodies and ornate rhythmical patterns of jazz music and the blues are really brought to life in "The Weary Blues" via Hughes' intricate workings of sound patterns that are cleverly implemented in every nook of the poem. Because of these descriptive sound words, I can almost picture myself walking down Lenox Avenue and hearing the old piano man and his "Weary Blues." Bibliography: Hughes, Langston. Selected Poems. New York: Random House/Vintage Books, 1987.
Subscribe to:
Post Comments (Atom)
No comments:
Post a Comment
Note: Only a member of this blog may post a comment.